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| Posted November 5, 2006 |
lilylady
Member # 10349 |
I am so
proud of myself for overcoming the fears that I have had over the past year
to travel into the big city and explore the pianos on Piano Row, as well as
Allegro Pianos (just north of the city). I traveled by Amtrak to Stamford
where Ori met with Bernard (traveling from the Brooklyn) and myself. Then
used the inexpensive Fung Wah busline from Chinatown to travel back to Boston
two days later.
There have been two uprights that I wanted to try before concluding my
upright quest. The Bluthner and the Grotrian.
Allegro Pianos
We were very impressed with both Ori and his whole operation. (see pics
below) The shop is warm and comfortable, filled with finely prepped grands
and a few uprights. Although I was there to try the Bluthner upright (and
loved it) I am now affording myself the luxury of trying grands as well.
When, if not now?
An enthused Ori gave us Piano Course 101, 201, 301, and even 401 - hearing
and evaluating tones! (smile Ori)
This helped greatly as we explored the pianos and evaluated what we were
hearing. I now can 'hear' the attack, sustain, and decay much better. Most
interesting was hearing how the Estonia's attack seems to 'open' immediately
into more sound rather than just dropping off. I guess that is what gives it
its lushness.
He then left us, upon request, to just play them all!
The Bluthner upright has a beautiful pure tone (as well with the grands).
Plenty of ability for power, yet having a cleaner bass than I have noted on
others. Playing chords in the bass did not sound too rich or muddled. Playing
Bass melodies was heavenly.
Bernard and I then started on the grands. Bluthner - all three sizes were
nice. Would that we could, own one!
Mason Hamlin - personal preference was the BB (no surprise!) but it was fun
to watch Ori immediately perform an action adjustment to the AA and
reposition it to the next room for sound differences.
Estonia - Knowing many owners on PW are in love with Estonias, I was anxious
to hear them in person. It was a different sound which enveloped romantic
pieces. And the furniture exquisite.
Allegro Pianos is divided into two rooms. This helps us relate to a home
setting. |
| Posted October 21, 2006 |
Ryan E
Full Member
Member # 17987
Rate
Member |
Sunday
afternoon we drove over to Stamford to Allegro Pianos. Our experience there
was one of a kind. Ori greeted us warmly at the showroom door. He had
arranged for entertainment for our four children while my wife and I received
what I will call the Allegro Experience. For those of you who have not been
to Ori's showroom, there are many details about the experience that I will
purposely leave out. I will sum all of those details up in a single sentence.
Ori operates under a different business model that ensures his success and
the satisfaction of his customers.
If any of you are struggling in the piano industry, I would suggest that you
hire Ori as a consultant. I have no idea whether or not he is available for
consulting, but if you are not, Ori, you would do well to consider it. Since
our visit, I have been seeking ways to implement aspects of the Allegro
Experience in my own business (totally unrelated to pianos).
Now for the pianos and my impressions. First, let me say that I have never
played better prepared pianos. While you may think this is an unequivocally
good thing, it really has two sides. The down side is that Ori's showroom is
not like the typical piano store where there is one or a few pianos that
really shine for you. All of the pianos feel and sound fantastic…
…The AF
until my Allegro Experience had been the only piano I wanted to sit and play
for hours. I would have liked to play all of the pianos at Allegro for hours.
As it was, we were there for several hours…
--------------------
Ryan
Posts: 64 | From: New York | Registered: Aug 2006 | IP: Logged | |
JerryS88
Full Member
Member # 16113 |
It was
fun reading your description of Ori's presentation, Ryan, since I had the
same feeling when I visited his showroom - like being a kid in a candy store,
and isn't it ridiculous that you can play piano all your life and never learn
how it is constructed and how it works? From my experience shopping at many
other showrooms, I was surprised at how many pianos seemed not to have been
prepped, or were poorly prepped. I just don't understand how people can buy a
piano based on future potential, so I really appreciated how well prepped
Ori's pianos were.
Posts: 94 | From: Ringwood, NJ | Registered: Apr 2006 | IP: Logged | |
| Posted October 22, 2006 |
CC2 and Chopin lover
Member # 14508 |
About a month or so ago I had the undeniable urge to
begin the search for another piano. I recently sold my Steinway B and
Bechstein A, foolishly believing I could get along just fine with just one
acoustic Concert Grand and one terrific digital. I was wrong....very wrong. I
had been spoiled by the wonderful ability to play different instruments, with
different characters and personalities, whenever I felt like it, and there
was no going back. Those of you who have spent time in great piano showrooms
know what I mean. So my search began. Having read many, many posts on this
forum by and about Ori Bukai of Allegro Pianos in Stamford, CT, I was drawn
to his showroom, and curious to meet the "man behind the myth".
Well, the first thing I have to say is that it is NO myth. Ori, and his wife
Rebecca, run the most amazing operation I have ever encountered in ANY business
I have dealt with. YOU, the customer, become the focus of their day. You are
given the time, respect, attention and education a person deserves when about
to make, what is likely to be, one of the single largest, and most
meaningful, purchases they will ever make in their lifetime. The collection
Allegro displays is nothing short of astounding. Masons, Steinways,
Bluthners, Bohemias, Estonias....they are all there in all their magnificent
glory, prepped, regulated, voiced and tuned to perfection, so that your
buying experience is nothing short of spectacular!!! Ori spends hours and
hours on each piano, bringing out the most each has to offer, so that his
customers can make an informed decision. Suffice it to say that I did NOT
leave empty handed that day....below is the result of my time with Ori and
Rebecca. My Mason CC2 has a wonderful new mate to share the room with. This
is truly one of the most incredible pianos I have ever played. Ori and
Rebecca, thank you!!!!! (Those of you with questions, I will be happy to
answer them now ) |
justwarren
Full Member
Member # 14292
Rate
Member |
posted
October 24, 2006 01:34 AMOctober
23, 2006 10:34 PM
Wow!
Amazing Piano(s)! The wood on the Estonia is just fabulous, and the M&H
doesn't look at all shabby either! I was at Ori's twice with my daughter, I
had the same experience. He was solicitous and totally sincere. He has an
amazing assortment of pianos and is, beyond his many opinions, extremely
knowledgable. Best of luck!
Posts: 47 | From: Westport, CT | Registered: Jan 2006 | IP: Logged | |
| Posted October 18, 2006 |
jollyroger
Member # 12781
Member
Rated:
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posted
October 18, 2006 05:06 PMOctober
18, 2006 02:06 PM
Personally,
my visit to Allegro Pianos was by far the most informative I've ever
encountered in any dealer (no disrespect intended to other dealers - JMHO).
The first 2 hours were filled with demonstrations and discussions of grand
action cross sections, sound board demos and a presentation on what goes
into designing and building a piano - from the ground up. It was as much of
a learning experience as it was a playing experience.
--------------------
Music is the wine that fills the cup of silence. Estonia 168 - Serial #
1422
Posts: 584 | From: West Babylon, NY | Registered: Sep 2005 | IP: Logged | |
JerryS88
Full Member
Member # 16113 |
posted
October 18, 2006 06:29 PMOctober
18, 2006 03:29 PM
quote:
Originally posted by jollyroger:
Personally, my visit to Allegro Pianos was by far the most
informative I've ever encountered in any dealer (no disrespect intended to
other dealers - JMHO). The first 2 hours were filled with demonstrations
and discussions of grand action cross sections, sound board demos and a
presentation on what goes into designing and building a piano - from the
ground up. It was a much of a learning experience as it was a playing
experience.
Ditto,
ditto, ditto, and outstanding after-sale service too. |
| Posted October 18, 2006 |
| Luckypianogirl, 11/05, CT: |
Hi everyone,
Well we went to visit Ori at Allegro Pianos today. .He did a wonderful job in
explaining the piano making process, the difference is the makers, and of
course mesmerized us in his piano playing.
Then we unleashed my daughter…when she played the Bluthner, well need I say
more. She tried both the Model 4 and the Model 2. I believe she feel in love.
She loved the clarity and the tone of both. She felt the model 2 was even
cleaner and deeper than the Model 4. At this point I feel she has chosen the
Model 2. She just played until her heart was content. And now she is wondering
when can it arrive.
… Anyways, again thanks to Ori. He was terrific, anyone that needs too
understand pianos, see him. He was great.
I will let you know what comes next.
Thanks Again,
Lucky Piano Girl
1/28/06 follow up:
Sorry for the lack of follow up. My mistake.
Yes, we did end up going with the Bluthner. I can't say enough about Allegro
pianos. Ori is coming this week to do some custom tuning on it. What a
beautiful instrument! My daughter seems to really like playing on it. She
sounds great. Funny, my husband says that I even sound better. (Believe me it
would have to be wonderful in order to help my playing. My daughter is
definitely the musician.) Once I take some pictures I will try to figure out
how to load them into this site.
Thanks to all of you for your feedback. I will try to keep you posted on how
things are going.
Have a GREAT Day!
Luckypianogirl |
| Posted March 24, 2008 |
rickms63
Full Member
Member # 27003
Rate
Member |

Some of
you have been following my search for my first piano. Well after getting really
close on a Kawai RX6 and considering Yamaha (C3, used C5), Bostons,
Petrof,
Bohemia and a few others, I have
put a deposit down on a Brodmann 187. I will not be
able to take possession of the piano for a few weeks pending the closing on my
new house…
… I’ve purchased through Ori at Allegro Pianos and
all I can tell you is the experience with Ori is
amazing; he is very knowledgeable and gracious. It did not appear (although to
him I’m sure financially it did) that whether I was purchasing a Bluthner or a Brodmann that Ori could have prepared or presented the pianos any
differently. He spent a considerable amount of time educating me about pianos
from both a technical and performance perspective.
I had thought it would be distracting playing the Brodmann next to the likes of Bosendorfer, Bluthner,
Steingraeber,
Forster,
Estonia
and M&H but it actually
drove home how good a value and piano the Brodmann is. Yes, there were some really fine pianos at Allegro that I would die for but
there were actually others where I preferred the Broadmann.
I think a lot of this is a testament to Ori's preparation skills…
|
| Posted October 11, 2007 |
library lover
Full Member
Member # 21347
Member
Rated:
 |
Greetings,
I am 99% certain that I am going to purchase a NEW
Estonia
190 6'3" Grand Piano
from Ori at Allegro Pianos.
Does anyone else own or have either positive/negative experiences re: the
Estonia
brand? Please be critically honest in your assessments.
Regards,
Eddie |
Craigen

1000 Post Club Member
Member # 12063
Member
Rated:
 |
Estonia
190 is a world class great
piano.
Ori is a class act. He is the
Estonia
guru.
Go for it without hesitation!
--------------------
Piano Technician, member Piano Technicians Guild.
Posts: 1815 | From: West Coast | Registered: Aug 2005 | IP: Logged | |
library lover
Full Member
Member # 21347
Member
Rated:
 |
Craigen,
Thank you!
To my mind Ori is gifted and 100% trustworthy. It
felt like he was inviting me to be a part of an extended family - rather
than just a salesman selling pianos to a customer. My wife and I both felt
a "Positive Vibe" from him throughout our time at his shop.
Thanks again for steering me in the right direction on my
Estonia
190
decision… |
Misha
Junior Member
Member # 20686
Rate
Member |
I was
in your same exact situation and made the purchase. Although I did not
purchase from Ori as I'm several hundred miles
away, he helped me with my decision-making process. If it was more practical
to purchase from Ori, I would have done so (I have
the usual excuses of work, family, too far away, etc.). Although now that I
think about it, the next time I purchase a piano I will make the attempt to
visit Ori's store as I got the same positive vibe
that you did via my conversations with Ori. Having
a piano in our homes/lives is just too important an event not to make the
effort to visit someone who can make the experience result in a positive fulfulling outcome.
My
Estonia
is a wonderful
instrument, you will enjoy it…
--------------------
Estonia
190, Mahogany Finish |
jollyroger


Member # 12781
Member
Rated:
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library lover,
Not only will you love your
Estonia
190, but I cannot begin to tell you how fortunate you are to live near Ori. He's worked on my
Estonia
and Ori is a phenomenal tech (and a very talented pianist as well). Having move to
Houston recently, I'm fortunate to have a tech who is very skilled (especially with
Estonias
)
and he's a concert pianist as well. If I ever lost him, I wouldn't think
twice of paying for Ori to fly to
Houston to work on my piano if needed. And
I do NOT say that in jest. And if I ever upgrade to a Bluthner or Bosie, I would very likely fly up to
Connecticut and buy it
from Ori…
FYI, before moving to
Houston,
I visited a friend who had recently purchased a 190 in a bubinga finish from Ori. When I walked in his living room
and saw it under halogen lights he had installed just to showcase the finish,
it was positively breathtaking! While each piano has it's own sound signature (no 2 pianos are exactly alike - even from the same
manufacturer), the finish itself is basically eye candy, as you put it.
|
Stevester

Member # 4468 |
Both Ori and
Estonia
have excellent reputations, Congratulations!.
![[thumbsup]](testimonials_files/image017.gif)
Posts: 2273 | From:
New Jersey |
Registered: Oct 2003 | IP: Logged | |
JerryS88
Full Member
Member # 16113 |
Eddie
- the Estonia 190 is an AMAZING instrument, and you cannot go wrong with Ori - I know because I bought mine from him - his
presentation was unforgettable and the most educational I ever experienced,
his pianos meticulously prepped, and his support has been second to none. I
LOVE the Ebony satin finish on mine. I know exactly how you feel - it was
my biggest purchase ever, other than the house. My best advice is to try
everything you can get your hands on, including pianos way out of your
price range for comparison - that's what I did when I shopped. Best of
luck.
Jerry
Posts: 453 | From:
Ringwood,
NJ | Registered: Apr 2006 | IP: Logged | |
John Perkins
Full Member
Member # 16212 |
Estonia
and Ori are both fantastic. You won't regret your purchase.
John
Posts: 135 | Registered: Apr
2006 | IP: Logged | |
| Posted August 18, 2008 |
NoctuGranes
Full Member
Member # 22151
Member
Rated:
 |
I had a great time visiting Ori. He's a class act
and he has wonderful wonderful high end European
pianos.
He introduced me to piano #2 that I fell in love with. August Forster 190.
More tears (you just didn't see them, Ori!) when he
played some Mozart...I'm not a Mozart fan by a long shot.
The AF190 was unlike anything I'd played. So clear and ... AF-like....hmmm.
It didn't take long (couple weeks?) for me to realize this was just an
infatuation.
Ori was such a class act and ran such a nice
business that he was one of the few I'd love to buy a piano from….
If you think you like AF, bluthner, bosie, etc. by ALL MEANS go see Ori!
It is a wonderful experience… |
| Posted June 25, 2008 |
drm
Junior Member
Member # 28425
Rate
Member |
It has
been quite a while since I have last posted. Our piano search, however, has
ended, selecting a Bluthner A…
In terms of the search itself, the piano was for my 8yo son who has been
playing for about 2 years. While I took lesson many ages ago, I am not a
player, but maybe at some point down the road. Our budget was fairly liberal
on the basis that this would be a once (maybe twice) in a life time purchase
and I wanted to enjoy the sound. While a smaller grand was a possible option,
the preference was for an upright due to the smaller footprint and the
greater flexibility (likelihood to move). It was also my son's preference. He
was and continues to be captivated at the engineering aspects of an upright
piano and I think there is a good argument of having a piano they want to
play. I am not really concerned that he will outgrow it, but if he does I
assume he will be quite the player.
In terms of the piano, I am more than pleased with the dealer experience and
the sound of the piano. My son has not touched his electric keyboard since
the piano arrived, event though he wanted to make sure it wasn't moved. His
piano teacher has also played the piano twice and her comments have been
extremely positive, if not glowing. On her last visit, she commented that has
never heard of the brand before we purchased it, but the piano sounds nicer
than her own. It was nice to hear her comments as well as to hear her play
it.
|
| Posted March 07, 2008 |
Shelby Guy
Full Member
Member # 27804
Member
Rated:
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posted
March 07, 2008 03:34 PM
Bright
and early on Friday morning, I arrived at Ori's shop. He is an amazing representative for the industry: he acts as a
consultant, and certainly has strong opinions, but is thoughtful and open to
questions, discussion, and even dissent. He also has the best-prepped piano
inventory I've found. (I'm sure there are others who do a fine job, but I
haven't been there.) I played
Estonia
190 (6'3"), Mason & Hamlin BB (7'0"), August Förster 215 (7'2"), Bösendorfer 200 and 214 (6'7" and 7'0"), Blüthner 4
and 2 (6'10" and 7'8"), and Steingraeber 205 (6'9"). I also
learned more than I thought possible about all aspects of pianos—sound
production, manufacture, marketing, distribution, etc. As many others have
reported, he is especially skilled at helping a person identify and quantify
specifically what it is about various pianos that appeals to one's individual
tastes and preferences…
Posts: 53 | From:
St. Louis
,
Missouri
| Registered
|
| Posted March 15, 2008 In response to: ‘Where to shop in
New England
’?) |
piquagirl
Junior Member
Member # 27914
Member
Rated:
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posted
March 15, 2008 08:54 AM
Although
Stamford
,
CT
is about three hours away, it's worth
the drive to visit Ori at Allegro Pianos. He has
some absolutely beautiful tier one and tier two pianos! The experience one
has at Allegro Pianos is like no other. Ori gives
his personal attention to each client walking through his door. You will
leave feeling very informed about all his pianos both musically and
mechanically. I've visited a number of piano dealers in the last months and Ori is the best of the best!
Ori's website is: http://www.allegropianos.com/
|
| Posted August 19, 2007 In response to:
I live in
Texas, but as there isn't a good collection of
tier one or two piano dealers in
Texas,
I will of necessity need to purchase this piano long distance, so to speak. I
plan to visit NYC soon and am hopeful that I will find "my" piano. |
CC2 and Chopin lover

1000 Post Club Member
Member # 14508 |
Be sure to make an appointment with Ori Bukai at Allegro Pianos in
Stamford,
CT when you come to
New York. He is a short distance from the
city and the trip over to his home will be an enlightening and unforgettable
experience. He now carries new Bosendorfers, Bluethners, August Forster,
Estonia
, Mason & Hamlin....as
well as superbly rebuilt Steinways, Yamahas and Kawais.
Even had
Bohemia
the last time I was there. He will make an appointment for you to spend the
morning or afternoon with him. Just you and Ori,
learning a tremendous amount about all the instruments he carries....and
getting to play them to your heart's content!!!! Take my word for it, you will not be sorry you visited him. |
| Posted January 20, 2005 |
JWP2
Full Member
Member # 6835
Rate
Member |
`
I have
been looking for a grand piano for over a year now and today my piano
actually arrived!
I visited Ori from Allegro Pianos this past weekend
and was so impressed with the
Estonia
190 that I bought one on the spot. Ori spent the
better part of the day with me explaining all about the piano and pointing
out things that made the
Estonia
so special.
I love everything about this piano. After seeing the 190, listening to it,
and playing it I knew that this was the piano for me. I got the polished
walnut finish and it looks absolutely gorgeous.
I'm looking forward to many happy years playing my new
Estonia
190.
Thanks Ori! |
| Posted January 24, 2006 |
Jeffrey


Member # 5929 |
Just a word about Ori Bukai and Allegro Pianos. I have visited his store twice (once over the weekend,
and earlier today), for several hours each time, with family and without. I
have put a deposit down on a particular gem of a well-prepped Mason AA, and
plan to finalize the sale in a few days barring some unforseen event. (Mrs. Jeffrey just wants me to sit with the decision for a few more
days.)
I have played almost every Tier One piano (except the quetzel-like
Steingraeber) and many Tier Two pianos, usually in several different model
sizes, at basically a dozen dealers all over the tri-state area. Objectively,
one could call me obsessive-neurotically insane in the level of detail I
brought to the search. But it was important to me to get a quality piano to
share my life with every day. And at the end of this comprehensive search, I
am buying a new Mason and Hamlin AA from Ori Bukai of Allegro Pianos.
People may not know this, but Ori runs his own shop
from a home office showroom in
Stamford,
CT. He has a low-cost structure
and fair prices for quality pianos (low real estate overhead, no salesweasels). You always deal directly with the business
owner, Ori, who is a nationally-known and
exceptionally knowledgeable tech…
…his
deep love of pianos and the quality of his personally prepped inventory would
be clear to anyone who actually walks into his shop… |
| Posted September 11, 2008 |

Junior Member
Member # 32477
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|
In late March, without Sarah (my daughter), I drove to Allegro Pianos in
Stamford, CT. Ori Bukai ushered me into his primary showroom, which was divided into two sections,
one containing mostly smaller grands and the other
containing larger grands. Ori made his fascinating presentation on piano design and construction, the two
fundamental concepts being conservation and filtration of sound. I will not
elaborate here, but anyone interested in the details will not regret a visit
to Allegro Pianos to experience the presentation first hand.
Ori played and briefly commented on a number of
different pianos, then left me to play for myself. I played several of the
smaller grands, including a 6’ 3”
Estonia
, but
after 45 minutes or so moved on to the large grands.
I played another 7’ 2” August Förster, a 6’ 10” Blüthner, 4 Bösendorfers (6’
7”, 6’ 7” CS Series, 7’ 0”, and 7’ 4”), and a 6’ 9” Steingraeber.
All of the large pianos had wonderful actions, though the 7’ 4” Bösendorfer stood out as particularly responsive. The
tone of the Bösendorfers improved with length: the
7’ 4” had the same unique blend of gentle warmth and clarity that the smaller
pianos had, but it had greater projection, vitality, and complexity. I was
just as impressed with the August Förster as I had
been with the first one I had played weeks earlier. The Blüthner was difficult to get a handle on. I had read that Blüthners have a warm sound, but I didn’t hear that. Its clean, pure tone seemed a
little stark at first, despite the long, singing sustain. Only in time I did
begin to hear the subtle complexity of the tone. Although I was impressed
with the focus and intensity of the tone, my reaction was more respectful
than passionate. The Steingraeber shared the Blüthner’s tonal intensity, but it had huge projection, a
rich colorful bass, and a brilliant treble.
I drove home from
Stamford
in an excited and confused state. All of the pianos I had played had very
distinctive personalities that I did not yet fully understand. I did not have
a clear favorite.
One Saturday morning in late April, standing at
Columbus Circle, I handed my map of
Manhattan to my wife and told her I would meet her and
my son at entrance to the
Central Park zoo
in an hour and a half. Sarah and I then walked to Piano Row…
…We left
Manhattan and drove to
Stamford for my second
visit to Allegro Pianos. Ori gave a highly
abbreviated presentation for the benefit of Sarah and my wife, and then Sarah
and I began to play the large grands while my wife
and son went upstairs to meet Ori’s family. The 6’
9” Steingraeber was not the same piano as I had
played previously, though I could not perceive any difference. There was also
a new piano, a 7’ 8” Blüthner…
After we had played all of the pianos, I was still unsure of which I
liked the best. Ori then played while Sarah and I sat
and listened, an extremely helpful exercise. I asked Ori to alternate between the 7’ 8” Blüthner and the 6’
9” Steingraeber. For slow Chopin I had no
preference: the pianos were equally wonderful in their very different ways.
For Beethoven, Debussy, and boogie-woogie, I preferred the Blüthner. Sarah liked the Bösendorfer best.
Ori lent me a template to help us get a better
feeling for how big a piano our room could handle, and we left to sort through the welter of impressions we had formed that day.
[To be continued.]
Posts: 13 | From:
Newton,
Massachusetts | Registered: Jun 2008 | IP: Logged | |

Junior Member
Member # 32477
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When I got home from
Stamford
I laid out the piano template and found that, although it would be a little
crowded, a piano as large as 7’ 8” could fit into the intended space. Size
would therefore not be the determining factor.
…I decided to pass on the Fazioli and choose from
among the pianos in
Stamford….
I concluded in the end that I preferred the concentrated, bittersweet tone of
the Blüthner over the warm, expansive, silky tone
of the Bösendorfer. If it is possible to compare
the tone of a piano with the tone of a violinist, then Blüthner is Szeryng and Bösendorfer is Oistrakh. (And Fazioli is Heifetz?) And I decided I preferred the more focused and pure bass of the Blüthner over the colorful bass of the Steingraeber. The August Förster,
by far the best value for money of the group, lost out largely because I did
not find the comparatively straightforward treble as interesting as that of
the other pianos, though I still think the bass is second to none.
What about the Steinway B and the C. Bechstein? I
ruled out the Steinway for several reasons. I ultimately preferred the
somewhat leaner European sound to the richness of Steinway and Mason &
Hamlin. In addition, the build quality of the Steinway B seemed lower than
that of the high-end European pianos, and the general Steinway approach to
pricing and marketing grated on me…
…Having settled on a Blüthner, I decided that the
7’ 8” Model 2 was worth the extra money. It was The One.
I will pose the question that must have occurred to many
of you: “Let me get this straight. You decide you want to upgrade from a
digital console piano, so you start shopping upright pianos, then you look at
6’ grands, then you look at 7’ grands,
then you end up with a 7’ 8” Blüthner after
considering Bösendorfers, Steingraebers,
and Faziolis. Have you no sense of proportion or
restraint?” Evidently not, but in my defense I refer you to a
well-established Law of Nature, the
How-ya-gonna-keep-‘em-down-on-the-farm-once-they’ve-been-to-Gay-Paree
Principle...
Like everything else about this story, delivery of the piano was not typical.
The movers reportedly had made unprintable comments just seeing photos of my
front steps, but that was nothing compared to their reaction upon viewing the
prospective ascent in person. They decided to use the neighbor’s steps
instead of mine, which are more numerous as well as curved in two sections.
Here are the photos:

Up the first set of steps.

Home at last, without a scratch, with duet bench and Dampp-Chaser.
Having this glorious instrument available in our home for daily playing seems
like a waking dream. Every time I hear Sarah play, I am reminded how achingly
beautiful the sound of this piano is. In playing familiar pieces, I
continually discover how to bring out new tones and to shape phrases in ways
I never could before. The dynamic range is sensational. Every moment spent on
the piano is utterly joyous. I feel blessed.
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| Posted November 15, 2006 |
J. Mark
Full Member
Member # 19734
Member
Rated:
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I am
new to this forum, so I hope I'm not violating any rules or protocol. I had
an experience today that, to my mind, deserves mention here.
Several days ago, I contacted a local piano dealer, Allegro Pianos, whose
shop is about fifteen minutes from my office. The woman who answered was
very nice and suggested I make an appointment to come in. After that, I
posted a question here about Chinese grands (etc), and one of the people
who responded with helpful info happened to be Ori Bukai, owner of Allegro.
Today I made an appointment and went there.
In over 40 years of playing various musical instruments (all badly, I
should say), I have never had an experience like this. Ori welcomed me into
his beautiful shop, his wife offered me coffee, and we spent *three hours*
together. I insisted I didn't want to take up too much of his time, but he
made it clear he was happy to do this as long as I was willing to stay.
I learned more in that three hours than I think I've ever learned in such a
short period. Most of what Ori explained, showed and demonstrated was stuff
that he knew had no real "relevance" to my purchasing decision,
as it related to pianos well above my budget. He simply said he thought I
should know these things. It was a tremendous experience.
Among other things, Ori took a lot of time to show me details of the
Bluthner Model 1 that he had (I was obviously awed by it). Ori played
almost every piano in his shop for me. Repeatedly.
There was never, once, during the entire visit, even the slightest
"sales" talk. Whenever I asked about prices, he just encouraged
me to forget about that for the time being, and just listen and learn. That
was definitely the way to do it, as I did not have "price
information" to influence my thinking.
My impressions...fwiw...and I am not a "trained ear" for the
piano.... First, the Bluthner was the most exquisite instrument I think I
have ever seen or heard. Oh if I had that kind of money! (I was actually
surprised at how low the price was.) I think I was able to discern the
different sounds of the Steinways, the M&H's, and the various other
brands (apart from learning a great deal about their various construction
and design). Same with the Yamahas (he had a few) and others.
Without any apparent "suggestion," I concluded that the pianos
that I liked best in the shop were the Estonias. I was very surprised when
I learned the prices (I finally managed to get him to tell me the prices
before I left). These seem like a great deal. The Bohemias were also impressive
for the money. I was not tempted by the Asian pianos, when played next to
these.
There is nothing like having a knowledgeable, gracious, low-pressure (no
pressure), thoughtful, intelligent, articulate person sit down and explain,
in great detail, the various things that make pianos different from each
other. Thank you, Ori! I will be speaking with you soon...
Mark
New York
Posts: 28 | From: Westchester County, NY | Registered: Nov 2006 | IP: Logged | |
jollyroger
Member # 12781
Member
Rated:
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Mark,
Ori is well known throughout NY, CT and NJ as well as on this forum. I too
had one of the best learning experiences by visiting him when I was looking
for pianos - a 90 minute drive from Long Island and worth every minute. I
wound up buying an Estonia 168 about 6 months later. Dollar for dollar, I
found the Estonia's an unbeatable value for their price point. And my 168
sounds better and better with each passing day. The Bohemia's are nice too,
but once I checked into the underlying construction between the 2, the
Estonia's were worth the extra money - hands down (Just MHO though). While
there are other reputable dealers in the tri-state area, I must say that
I'd be hard pressed to find the level of service I've received from both
Faust Harrison Pianos and Allegro Pianos respectively.
Good luck in your continued search.
Regards,
Roger |
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